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OB. An Urban Takeover at the Olympic Stadium

Breaking the Orange Tradition

Oranjebloesem is a staple of Amsterdam’s King’s Day, but to stay relevant to a younger, trend-driven audience, it needed a visual language that felt more “City” and less “Carnival.” Our mission was to take the iconic energy of the Olympic Stadium and translate it into a raw, techno-oriented brand identity that speaks the language of the streets.

2D Rhythm & Typographic Flow

For the OB25 campaign, we prioritized 2D animation as our primary storytelling tool. We developed a sophisticated system of kinetic typography and rhythmic transitions that mimic the pulse of the music. These weren’t just announcements; they were digital “vandalism”—clean, bold letters that move with intention. By focusing on typographic composition, we ensured the brand was instantly recognizable in a crowded digital landscape.

Dynamic Editing & IG Reels

To maximize promotional reach, we experimented with fast-paced Footage Editing and Dynamic Instagram Reels. We blended raw festival atmosphere with high-contrast graphic overlays to create “Full-Impact” promotion. These assets were designed to stop the scroll, using quick cuts and layered visuals to build anticipation and showcase the massive scale of the five dancefloors.

The Royal Football Collection

In a move that connects the festival to its athletic venue, we designed a custom “Team OB” Football Jersey collection. This wasn’t just merchandise; it was a tribute to the Olympic Stadium and the “Royal” connection of King’s Day. By blending sportswear aesthetics with techno-culture, we created a “uniform” for the crowd that turned every attendee into a walking ambassador for the brand’s new identity.

Guerrilla Marketing & Outdoor Strategy

To own the city during King’s Day, we went beyond the screen. Our Guerrilla Marketing and Outdoor Strategy focused on high-visibility urban spots. We treated the streets of Amsterdam like a gallery, using large-format posters and bold outdoor placements to create a sense of a “City Takeover.” The result was a cohesive narrative that lived in the palm of your hand and on every corner of the capital.

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